Sunday, February 13, 2011

Dead Inside. A Short Story. Part 3.

To read the previous installment, please click here.

Chapter 3

Tired of repeating himself, after Lily was unresponsive to his last question, Trent bites his lip, raises his voice and says, “I think he’s right. Dr. Cruzan said this getaway is going to be good for us, provided you can leave your work, along with your cell phone, in the car when we get there.”

The radio quietly plays some unidentifiable 1950’s country relic in the background as their Land Rover quickly exits the highway. Would it kill you to stop what you’re doing and actually listen to me for seconds? Almost oblivious to Trent’s existence in the car, Lily presses a few more keys on her Blackberry and drops it in her purse.

“Just stop. I hate how you think that my work doesn’t matter.”

“I never said that.”

“You do it all the time.”

“I just mean that you might actually get something out of this if you--”

Before Trent can finish, Lily interrupts him, “I know what you meant. Maybe it’s easy for someone who works at a third-rate bank, giving loans to grandmothers who want to sell their peanut brittle, but not me.”

A cold sweat slowly creeps down Trent’s back at Lily’s words. “Nice,” is all he can muster as his mouth fills with cotton. His eyes suddenly fill with blinding sunlight, causing Trent to veer off the road briefly before regaining control. Hardly noticing their brief off-roading excursion, Lily rolls back over on her side, trying to sleep away what’s left of this dreadful journey.

A small part of him wishes he had lost control of the Land Rover, knowing that Lily hardly ever wore her seat-belt. Maybe if “the tank”—-a nickname that he gave to Lily’s luxury SUV immediately after driving it off of the dealership’s lot-—had flipped, he wouldn’t have to worry about trying so hard this weekend on making their relationship better. Trent never used to think about things like this, but one can only take so much verbal abuse and abandonment before the thoughts start to creep into his head.

----

Thirty minutes pass by before Trent tries to spark possibly another disastrous conversation. He rubs his eyes, stretches while steering the car with his knee, and then yawns dramatically, hoping to catch Lily’s interest, praying that what he says next won’t fall on deaf ears.
“You know, I’m up for a promotion next month.”

Lily’s chest slowly rises and falls, but her gentle purr isn’t present, making Trent believe that she isn’t asleep, but rather ignoring anything that leaves his mouth. He tries not to let it bother him as he continues. “Mr. Robinson said I was a shoe-in as bank manager for the new branch opening up next month up in Freedom.”

Pushing out her last breath in palpable frustration, as if she had just opened a cryogenic freezer, Lily cranks her seat upright. It’s obvious to Trent that she’s more than just a little pissed, but at this point in the trip, he doesn’t mind.

“What, so you can work another ten hours on top of the fifty you’re already putting in at the bank? I don’t think so.”

Her remarks are like fingernails on a chalkboard. Grinding his teeth, Trent swallows hard and wonders if he should switch from using the shovel he’s been using this entire journey or just go right ahead and use the back hoe.

“I’m just trying to support our family, Lil.” Yep, the back hoe it is.

“Well, you better pray it’s for a VP spot, because that’s the only way you’re going to make enough money to support us.” Lily’s words are quick and decisive. There she goes again, using that tongue of hers like a scalpel, trying her best to remove his heart. How could she come back at him so quickly and so coldly, as if what he said meant nothing at all to her?

More words, possibly better words, sit at the tip of his tongue, but all that he can force out is, “What’s that supposed to mean?”

“If you want me to quit my job, play house wife and get knocked up, then you’re going to need to earn a hell of a lot more than what you’re pulling down now, because your salary won’t even cover half of our mortgage on the condo.”

Another quick-fire answer and she didn’t even have to pause to reload first. Trent wished he could be as quick on his toes as Lily, but he knew it wasn’t his game. He felt that if Lily hadn’t stayed to run her father’s foundation, she would have made a brilliant trial lawyer. Winning an argument with her meant pulling an all-nighter doing research at the library. Needless-to-say, Trent became accustomed to losing.

“So… we’ll move.” Ping! Another shot from Trent’s BB gun fires, but fails to pierce Lily’s armor.

“Not on your life. There’s no way I’m giving up something that means the world to me.”

Biting his lip, Trent’s eyes start to water, but he successfully holds back the tears. He wondered which part of her life meant more to Lily: their condo or her lifestyle. Unfortunately either one wasn’t him and just like that, he was starting to lose faith that this excursion would repair any part of the irrevocable disaster that was their marriage.

Chapter 4

With the fuel gauge teetering closely towards the E, Trent pulls their Land Rover into the next gas station he sees. A cool breeze helps push his door open as Trent get out of the vehicle. He stretches, twisting at his waist and pulling his arms back; his shoulders popping, sounding like they might dislocate, if only it didn’t feel so good.

At first glance, the gas station looks as if it had been recently transplanted from 1954. Upon further examination, Lily notices a thin film of dirt and grime covering every surface exposed to the elements and decides to stay planted in her seat. Breathing in the fresh air around him, Trent feels reinvigorated already. The sun shines warmly on his back, like a fresh shirt recently removed from the dryer; just enough so he doesn't feel the need to grab his jacket from the back seat. He leans down before shutting the door and asks, “You need anything?”

“I’m fine,” Lily’s response is still icy after their last conversation.

“What can I do ya for?”

Jumping back and slightly startled, Trent looks up and sees the gas station attendant, scratching his dandruff-laden head which is temporarily blocking out the sun. Filling his well-worn overalls is a physique that probably feasts on a steady diet of fried foods and light beer.

Completely covered in the attendant’s shadow, Trent say, “Uh… fill her up.”

“Sure thing.”

And with that, the attendant reaches over and places the nozzle in the tank. The pump starts to tick as he proceeds to wash the windshield. With every new breath of fresh air, Trent slowly meanders away from their car, forgetting about the last four grueling hours. By the time he reaches the end of the concrete lot, kicking a small rock across the road, Trent can hardly remember what he was arguing about with Lily in the first place.

As the gas attendant slowly squeegees the sudsy water that clings to the glass, the passenger side door opens forcefully. Lily exits the vehicle and asks, “Bathrooms?”

Unaffected by Lily’s curt rudeness, still focused on cleaning the windshield, he mumbles, “Inside. Towards the back by the fountain drinks.”

Trent turns around and sees Lily dashing towards the store. Hardly raising his voice, Trent says, “Lily? You okay?” His tone shows concern, but not much.

Lily covers her mouth with one hand while briskly swinging the door open with the other, disappearing inside.

Without even the slightest interruption in his work, the gas attendant moves on to the other windows and mumbles, “Bathroom.”

“Oh.” Trent heads back towards the vehicle as the handle clicks off. The attendant swiftly pops the nozzle back onto the pump and pauses for a moment as he tallies up the total.

“That’ll be forty-two seventy-five.”

Digging into his wallet, Trent pulls out a fifty. “Keep the change.”

“Thank you, sir. Want me to check under the hood, top off your fluids?”

“Yeah, sure.”

The hood creaks as it’s quickly opened by the gas attendant, easily lifting it up over his head. Squeezing, pinching and pulling, his hands rapidly move about the vehicle’s entire motor cavity, almost as if he’s trying to play a tune on an instrument that only he knows. Looking back at the store front, Trent watches for Lily’s exit. No sign of her yet.

“So, you folks just passin’ through?”

“Huh?”

“Asked if you folks are just passin’ through?”

Pulling a crumpled piece of paper out of his pocket, Trent turns and says, “Actually, were headed up here. I couldn't locate it on my GPS.”

“You’re all good here, mister.” The hood slams down in a hurry as the gas attendant grabs an oil-stained handkerchief from his back pocket to wipe his brow. He takes the piece of paper from Trent's fingers and looks at it closely. He hands Trent back his slip of paper, blowing his nose into the rag and then briskly stuffing it into his pocket.

“Why you headed up there?”

A slight tone of concern is laced in his voice, causing Trent's hair to stand up on his neck. He nervously folds the piece of paper in his hands until resembling the size of a small piece of chewing gum, burying the paper, and his gut reaction, into his pocket. Extracting the car keys from the same pocket, he begins to caress them, wondering what might be keeping Lily.

“The wife and I are headed up there for a retreat.” The words hesitantly pour out of Trent's mouth, as if suddenly concerned to give this complete stranger as little information as possible about their trip.

“That's Dr. Cruzan's place.”

The gas attendant's acknowledgment of their final destination only bothers him even more. Backing up, Trent stammers, “Yeah... yeah... Dr. Cruzan. You know him?”

Uneasiness settles down deep in Trent's stomach as he slowly makes his way over to the driver's side door. Following closely is the gas attendant, who looks like he still has more to say.

“Cruzan's bad news, fella. I'd stay away from him if I was you.”

Fumbling with door handle, Trent asks, “Why do you say that?”

“Look, I don't have the time to go into all of the details. Cruzan isn't--,” He pauses, looking over his shoulder towards the store front. Standing outside, sucking down the remains of a Marlboro Red is his boss, the station owner. Suddenly the gas attendant squats down to the ground, pulling out his tire gauge. As he places it on the valve of the front passenger’s side tire, gesturing to Trent to come and get a closer look.

Trent resists at first, but decides that he's already gone this far, so why not continue this strange encounter with the Gomer Plye-like gas jockey. The best thing out of all of this might be a really good story to tell his friends back at the bank on Monday morning. The worse… well, he really didn’t want to think about that. The man continues to check the tire while resuming their conversation.

“Cruzan isn't-- well, he just isn't who you think he is.” Shuffling to the next tire, he goes on, “Look, another couple was here, maybe thirty minutes ago. Filled up and promptly asked where Dr. Cruzan's cabin was. These two were super gung ho. Couldn't talk them out of going there, even if they knew they were headed straight for the gates of hell.”

Trent can't resist and interjects, “Are they the headed straight for the gates of hell?”

“No,” he replies in a matter-of-fact voice, with just a touch of frustration. “You, on the other hand, look like you got a smart head on your shoulders. Why don't you take your pretty wife, turn your car around, and go home.”

As the gas attendant stands, he comes face-to-face with his boss. Clearing his throat, he clams up and proceeds to inspect the next tire on the other side.

“Is everything thing alright here, sir?” The owner's voice projects a wheezing nasally tone as he crushes the cigarette under his work boot. Standing up, Trent looks at the owner, trying not to gag on his horrible bad breath before saying, “Just fine, thanks.”

They stand there momentarily, staring at each other as the gas attendant finishes checking the last tire. The station owner breaks first as he looks away, abruptly turning back towards the store.

Standing back up, the attendant brushes off his knees and says, “Anyhow, that cabin ain't too far from here. Take a right, just over the hill. Two, maybe three miles tops. Can't miss it.”
Feeling slightly concerned, Trent asks the attendant, “Is everything alright?”

“Yep.”

“Are you sure?”

“Look, they're all on to me, so I really can't say anymore.” Rubbing the back of his head, he starts to head back towards the garage as he crosses paths with Lily.

“Ready?” asks Lily as she opens the passenger door.

Slightly confused, wanting more information from this strange, yet awkward gas attendant, Trent opens his door but doesn't move. “Um... thanks for all your help.”

“No problem. Just be careful. Mountain lions have been known to kill people up there.”

“I'll be sure to do that.”

Uncertainty drowns out any reason that might be going to through Trent's head. He continues to stand there for another moment staring at the gas attendant, but he doesn't look back. With one fluid motion, Trent climbs inside and turns the engine over. The gas attendant slowly makes his way back into the garage, swallowed up by the shadows as Trent and Lily's Land Rover quickly ascends up a small hill, disappearing behind it shortly after.

Sunday, February 6, 2011

Dead Inside. A Short Story. Part 2.

And now the unveiling of my second chapter.  Chapter one can be located here, if one wishes to start from the beginning.

Chapter 2

“So?”

The view outside wasn't spectacular by any means, not even interesting, but Lily was content with it as she drowned out a voice that sounded suspiciously like Charlie Brown’s parents. Mesmerized by the cars zipping in and out of the strip mall, Lily wonders why she wastes her time coming here every week when the end result is always the same.

“Lily?” This time Dr. Cruzan grabs her attention. Sitting on the edge of his desk, he writes briefly on a small note pad and then slaps it down the desk. She jumps slightly, “I'm sorry.”

“That's quite alright. I know the landscape out there is mesmerizing.”

Oblivious to his sarcasm, she straightens her posture, tugs on her skirt nervously and squirms in her seat. The uneasiness is hard to hide when you've been put on the spot knowing that you haven't been paying attention. Dr. Cruzan continues, “I was just asking how you two have been doing. Have you guys been doing the exercises that I recommended last week?”

“I've just been so slammed at work.”

Sitting next to Lily, Trent grunts in objection to her answer while chomping on his fingernails. His eyes dart back and forth between Lily and the doctor.

“That doesn't sound very encouraging.” Dr. Cruzan glances down at his tie and rubs his finger a small stain; or an ugly spot. It was hard to tell. He looks over at the clock on his desk, thankful that this is his last session for the day.

“That's because it isn't,” Trent interjects, pulling his hands out of his mouth and placing them on his lap.

“How so?” Dr. Cruzan scratches his balding head.

“Friends, family, and the foundation. They always take precedence over us.”

“So... distractions.”

“It's called life,” chimes in Lily. She's not going down without a fight on this one.

“I call it an excuse,” Trent antes up while adjusting himself on the couch to face Lily directly. A resurgence of confidence always bubbles to the surface when he knows that Dr. Cruzan backs his plays.

Irate to the point where she can't breathe, her blood begins to boil as she glares at him. How dare you confront me in front of someone else! Her mouth cracks open slightly about to retaliate when Dr. Cruzan interrupts, trying to pour some water over the slowly rising flames that have generated between his patients. “Well, I think I might have--” He pauses, trying to give proper description to the next word that comes out of his mouth, “--a solution.”

Grabbing the note pad that startled Lily only moments ago, he scribbles down a few lines and tears off the sheet. Standing up straight, Dr. Cruzan's back cracks like bubble wrap. He makes his way to Trent and hands him the small sheet of paper as Lily's phone vibrates.

Dr. Cruzan clears his throat and says, “I‘m holding a small marriage retreat and workshop this weekend. I do this every year, but right before your session, I had a couple cancel, so I do have an opening. I know it‘s very short notice.

“Now normally I wouldn‘t spring something like this on you two so suddenly, but I really think you would benefit. It‘s only a few hours’ drive north from here. It‘s out of the way and a perfect place to just disconnect from everything. No distractions except for the beauty of Mother Nature.”

Looking at the small piece of paper, Trent rubs his chin with intrigue. Dr. Cruzan attempts to finish off his sales pitch, “Fishing, hiking. It‘s a great little town to just get swallowed up into. Trust me, after this weekend, you won‘t be able to leave.”

There's a brief pause as Dr. Cruzan attempts to place the icing on the cake, “And since its short notice, I won‘t even charge you for the retreat.”

With his eyebrows raised, Trent has given away his tell. Now all he has to do is convince his wife. “Lily?”

“I don't know.” She can't even look up from her Blackberry. An uncomfortable quiet fills the office. She stops tapping on the tiny keyboard and looks up, realizing that she's now been placed at the center of attention once again. “I've got a ton of things going on right now. And I need to finish them this weekend.”

“You need to stop making excuses, Lily.” Dr. Cruzan sits down on the coffee table, now at her eye level. “If you want to make things work with you and Trent, then I would suggest going on this retreat. No friends. No family. No foundation. And no distractions.”

With a smile plastered a mile wide, Dr. Cruzan looks down at her Blackberry and then back up to Lily and says, “Oh, and no cell phones.”

Turning to Trent, a look of sheer desperation fills her face. Trent could care less. This is what he's been waiting for. Laying his cards all out on the table, he says, “I‘m game. It‘ll be good for us to get out of the city. Take in some fresh air, commune with nature.” Trent can hardly believe the corny words that he hears coming out of his mouth, but he knows they're true just the same. Grabbing her hand, he makes his final plea, “Lily, we need this. It would mean so much to me.”

“I don't know.” Her ears start to ring as her cheeks turn red. Her heart begins to pound quickly in her chest, as if trying to escape. I've got a bad feeling about this. The thought circles around inside Lily’s head, multiplying at lightning speed until they start to adhere to the inside of her skull, like freshly installed wallpaper. Something about this just doesn't feel right.

Making his way behind his desk, Dr. Cruzan sits down with superiority. He pulls out a pipe and packs it firmly with a small wad of tobacco. A small lighter flicks three times before producing a flame that lights his pipe. Puffing slowly and deliberately, Dr. Cruzan finally lets out a large trail of smoke and says, “I think he's right, Lily.”

Tuesday, February 1, 2011

Dead Inside. A Short Story. Part 1.

PREFACE

About six months ago I started writing a short story. The idea came from a failed screenplay that my writing partner and I had finally given up after three solid attempts to resurrect it from a failing third act.

At first I thought we might have struck gold. The idea was something just different enough that if we kept at it, we thought we might have the beginnings of an excellent independent feature film. Unfortunately, that was not the case. We needed to exercise the demons and start on something fresh.

When we had both come to the crossroads once again, I told James that I was pulling the trigger on this one. The script wasn't going anywhere and we kept getting stuck around page 60. The idea first came about when James had been fighting some personal demons; ones that had been haunting him for a long time that he used as inspiration for spinning this story.

So now you get to read my feeble attempt at short fiction. I'm not sure how long this short story will be, since I have yet to finish it myself. However, if I hold myself accountable by posting this story, a chapter at a time at regular intervals, I just might finish it.

I hope you enjoy it. Your comments are most welcome. If at any time this story suddenly disappears from my posts, it means that the idea has one again been resurrected into script form (probably inspiring James to pick it up again). Until then, I give you the first chapter of...

DEAD INSIDE
A short story by Nathan J. Eddy

Chapter 1

“So, what do you think?”

No response. Trent turns to look at his wife only to see her stare absently out the passenger’s side window. So beautiful, he thinks, not glamorously beautiful, but naturally beautiful. He never did understand why she tries to hide behind so much make-up. A trait that was more than likely passed down from her mother.

Trent clears his throat and tries again; this time a little louder. “What do you think?”

“Huh?” Lily responds, whipping her head towards him, but somehow avoiding eye contact. She looks down, distracted and detached.

“I was asking what you thought about this weekend.”

“Honestly Trent, I could care less.” Lily turns her head back to the window, re-engaging her blank stare, then closing her eyes.

Trent grips the steering wheel a little tighter now; his knuckles slowly turning white. Six words, six little words strung together as they were cutting with the precision of only the most skilled surgeon. Comments like that make him wonder why he ever got married in the first place. Exhaling slowly, and trying not to draw attention to himself, he fiddles with the radio, hoping to find a solid signal.

With her eyes still closed, Lily blurts out, “I can’t believe you didn’t bring anything to listen to knowing we were going to be on the road for four hours.”

“I didn’t forget my CDs on purpose Lily, if that’s what you’re implying. I don’t normally drive this car, remember?”

“Whatever.” Lily turns on her side, facing the passenger door. Maybe if she can fall asleep, this mind-numbing trip will end that much sooner. Trent smiles briefly at his small victory.

In that small moment of peace, if you want to call it that, their Land Rover speeds down the two-lane highway as the sun slowly rises over the horizon, filling the muddy blue-black sky with hints of orange and magenta. Pine trees and Douglas firs populate the mountains; the winding slab of asphalt marring the beauty of what very well could be a Bob Ross painting.

Running his hands through his short blond hair, Trent clicks off the radio in frustration. What's the point? The driver's side window slowly descends as he presses his finger firmly on the button when Lily barks, “Don’t even think about it.”

“But baby, I need some fresh air. If I have to drive without any music, I need at least a steady stream of cool air to keep me from dozing off at the wheel.”

“It’s not my fault you wanted to leave this early, so suck it up. It’s freezing outside and if you open that window, I’m never going to be able to fall back asleep.”

Feeling torn, wanting to catch a glimpse of Lily's long auburn hair blowing around her face, hear her laugh, remembering drives like these not so terribly long ago. The driver’s side door hums as Trent’s window moves back up into its original position. He squints several times and smacks himself in the face trying to wake up, then looks down at his watch: 6:43 AM. He rolls his eyes and focuses his attention back on the road.

A quiet buzz emanates near Lily’s feet. Casually reaching down to her purse, hoping Trent won't notice, she digs around and pulls out her Blackberry. Swiftly, Lily types a response with her nimble thumbs. In a short glance, Trent tries not to show that he’s upset, but his cheeks flush just slightly. Not wanting to acknowledge what he sees her doing, his hands find their way back to the dead air that is the car stereo.

Without taking her eyes off of her phone, “Stop wasting your time. You’re never going to find anything out here in B-F-E.”

“Do you have to be so damn negative all the time?” Toying with the knobs ever-so-gently, Trent hopes to find a signal that might make his wife eat her own words.

“I’m just trying to save you the eventual grief of your futile attempt for a radio station. That’s all.”

“Why don’t you stop worrying about my futile attempt and get back to what’s more than likely a work email that you can’t even leave alone for the weekend?”

Hoping to breathe some life into his valiant efforts, Trent flips the bands from FM to AM. White noise fills the car with no avail. All of a sudden a voice breaks through, loud and flamboyant; an evangelical preacher trying to save the souls of his listening audience. Finishing her message, Lily presses send on her Blackberry as she places in her lap.

Do not leave it on this.” Her annoyance level already reaching Def-Con 1.

The preacher’s voice fades in and out and then away completely before Trent can respond, almost in obedience to Lily’s command. His search continues, pausing several times, but still with no success. After several near misses, the sounds of a mariachi band pops from the speakers. Trent chuckles at the music and announces, “I didn’t even know we had Mexicans living this far up north.”

Lily looks down at her phone waiting for it to vibrate again. After Trent’s comment, Lily starts to wonder why she ever tied the knot with this ass. She starts to think about Trent and what he used to be. What he used to represent and how much he’s changed since then. He had such aspirations; talked of greatness back when they met in college.

Sometimes it felt like yesterday, when they ran into each other at the library. She was doing research for her Poly-Sci paper while he was just wasting time while his roommate was making his moves on a girl that he'd been pining over for the past three months from his business accounting class. Flipping through the latest hardback Stephen King novel he had just checked out, with his nose buried in the third chapter, he didn't even notice her on the ground tying her shoe.

But even after four rejections, Trent asked her out once more as they crossed paths for the fifth time in less than a week. He felt it was more than just coincidence while Lily thought that she might as well just put this guy out of his misery. Just say yes, and then you can get back to your life once this date goes down flames on Friday night. Six months later they were engaged.

Lily was drawn to Trent in many ways, but mostly she was drawn to him because he wasn't her father. Trent was someone who wouldn’t jump down her throat when she came home late. He never asked questions because he trusted her. He didn’t judge her by her actions, but by her character. And as the years past, she began to realize how much she was just trying to get out from under her father’s grasp and how she used Trent as an escape; whose ambition went flying out the window when he took the first job offered to him for security right out of college. Now she’s running her father’s foundation and Trent has moved all the way up to the invisibility of middle management.

The mariachi music cuts out quickly as Trent hits the seek button once again. Static and interference once again pollute the Land Rover as he desperately tries to find anything better than his last two failed attempts. Almost reaching his breaking point, Trent hits the seek button once more when a warbling Hank Williams fills the airwaves with “Lovesick Blues.” His hand—at first hesitant, almost ready to keep searching—dangles in mid-air for a brief moment before settling back onto the steering wheel.

“You have got to be kidding me,” growls Lily in protest to The Drifting Cowboy. “There’s no way I’m going to listen to this country bumpkin crap!” Lily’s phone vibrates and she immediately picks it up. “I feel like we should be in a pick-up truck with a dog in the back.”

“Ah, come on. It’s not that bad,” defends Trent. He’s ecstatic that he’s found anything on the radio at the moment. “Besides, this station’s got both kinds. Country and Western.” Trent smirks, looking at Lily, but disappointed, realizes that the joke has gone over her head. He lets it go, turning his attention back to the road.

Lily begins to mash the keys on her Blackberry; an outward defiance to the torturous melodies emanating from the speakers. The last thing she wanted to do was to listen to country music for the remainder of the trip.

Before she can counter with another argument, Trent turns the radio down to a tolerable volume level in hopes of keeping the bickering to a minimum. Lily turns her attention back to her Blackberry, which has received another message.

His eyes cut over to Lily’s phone but he decides not to say anything else. The fact that she hasn’t piped up again in protest over the music was a triumph. Opening his mouth to comment on her working while they’re supposed to be disconnecting from their world for the next two days would just have to wait until they arrived at the cabin. Besides, he always felt better confronting Lily when Dr. Cruzan was present. Trent knew he didn’t have a backbone, but he also didn’t care right now. All he truly cared about was that this weekend could be the big breakthrough he's been wanting all along.

Wednesday, August 25, 2010

A Big Dose of Common Sense

Love him or hate him, Glenn Beck can always strike a chord with the American people. He wrote this amazing letter to his daughter while she was attending Freshman Orientation. He later shared it at his commencement address at Liberty University. I heard it on the radio yesterday and was floored. I thought it was worth sharing.



My daughter just started her first year in college and as I was flying here today, I didn't feel like I had anything to share with you that you hadn't already learned here. I took out my journal and looked up the things that I wrote to my daughter as she was sitting there listening to one of her professors on her first day as a Freshman. These are the things that I wrote to tell my daughter:

“You are never alone and there is never trouble that is beyond help. Your father loves you and your Heavenly Father loves you. Yesterday is gone. Tomorrow may never come, but as long as we have today, it's never too late. Question with boldness. Read what they tell you not to. Challenge everything. The educated of this time are growing arrogant, and arrogance leads to darkness. Sunlight is the best disinfectant. However, sanitizer is a must, especially in New York City. In New York City, honey, it's best both times just not to touch.

“Look for the exits. They may save your life. Respect others. Know that they are most likely afraid, just like you. In fact, I found more arrogant and forceful they become, the more afraid they are. The worst thing in life you can do is dishonor yourself or your family and then go living a life without setting it right. Marry for love, marry for laughs, but most importantly, as my wife Tania taught me, marry with God. For without God, life's storms are too strong to withstand.

“Wealth and fame are an illusion. We've been rich, we've been poor. We've been happy both times. The only times I've truly been miserable is when I was lying to myself or to others. Alcohol and drugs make life easier for a very short time and then they destroy. There is no experience that is bad. Experience just is. It's what you do with that experience, how you'll use it. Will it shape your life for the better and help you become a stronger person? Or will you allow those experiences to smother and destroy you? Call 911 first and then call your dad.

“Always have a picture on your desk of someone you admire. Don't let life wash over you wave after wave. You're not a rock. Learn from the waves. Learn from the currents. Choose to sail. 'I am that I am' is the most powerful phrase in any language, as it is the name of God. Never use it in vain. Use it to create who you want to be. I am, blank. But know if you don't fill that blank in, someone else will. You can ignore it, but if you do, it will be filled in by others or just life. There will always be many that will try to fill that blank in but only you can fill it in and be happy.

“The Lord lives and He is personal. He loves you, and He's always there to help. But we have to train ourselves to hear it. We have to use our faith and exercise it like a muscle. The more we use faith, the louder He becomes. Serve Him in all things. Stand where He asks you to stand. Stand, for you do have a purpose. Your job is just to remember who you are, remember what you agreed upon. We're meant to be happy. But remember, no pain, no gain. Life is hard and then it gets harder. And then you die. But every single second of life is worth it.

“Always say what you mean and mean what you say. Turn the other cheek and always forgive. But don't forget so much that you put yourself in the same situation. Question authority, including everything that I've just told you. Make these things true because you know them to be true. You have everything you need. You have everything you need to be happy. May you figure that out before I do.

“Freedom, rights, are given to man by God. They are His. Protect them. You are the guardian. Private jet travel is the only material thing that can actually change your life. However, refined manner, gentleness, meekness, kindness, will be the only currency of any true value. Stuff doesn't matter. Forgiveness is divine. The atonement is real. You are worthy. Hell is an eternity of regret, not being able to forgive yourself. Walk a lot and never stop noticing things around you. When you do, change your ways or change your address.

“People are good. They want to do the right thing. Give them the opportunity. Shadows are darkest at noon, and it always gets colder before sunrise. It's never wrong to do the right thing. Learn to love others that you don't know or really don't like. Read the scriptures every day. They are alive, and He speaks to you through them. There are no coincidences in life. Learn, laugh, love. Sleep hard and sleep less. Pray on your knees.

“To whom much is given, much is required. You've been given the world and beyond. Only date those who love you as much as I do. Only date those who will treat you as I have tried. Never want anything too much. You'll always end up paying too high of a price one way or another. If you must shoot, shoot to kill.

“Labels are meaningless. Someone you meet today is afraid or suffering. Find them. Comfort them. Never let the sun go down without saying you're sorry for your wrongs. Your dad misses you. Call him. Call him now. What? Why haven't you called him yet? Life goes by far too fast. Keep a journal. Write what you think; write what you question; write what you know. There is order in all things. Stay in that order. Stay in the flow. You will find very few real friends in life. Cherish them. Things will change and you'll fall in and out of each other's lives, but when you do come back, it will be as if you never left.

“The hardest thing to do is to admit failure, to admit weakness. Only the very strong do. The weak never ask for help. Fasting is prayer. Fasting without prayer is a diet. And why? Why haven't you called your father yet?



Until Next Time, Dear Readers.

Just in case those concerned with the fact that Glenn Beck is a Mormon, this is not my support of him or his beliefs in Mormonism. Removing that fact, this is still a beautiful letter from a father to his daughter. For reasons why I don't support Mormonism, please read here:

http://www.seafox.com/mormons.html

Thank you.

Friday, December 18, 2009

My Favorite “Original” Christmas Songs Written Over the Past 40 Years

Every day for the past few weeks, I've been stuck in an office for eight hours a day, forced to listen to a somewhat limited variety of continuous Christmas music. A 'Soft Rock' station plays Christmas music 24/7 from Thanksgiving all the way through December 25th (Heaven help me if it plays through the New Year!) and it's the only time we can have music playing in our office throughout the whole year. Seems rather hypocritical, but I'm not even going to get started on that!

While trying not to puncture my ear drums throughout the day, it got me thinking about my favorite "original" Christmas songs over the past 40 years. Christmas music, in my honest opinion, can be separated into three catagories: Carols, Traditional, and Pop/Modern; but one can only be subjected to "Rockin' Around the Christmas Tree," "It's the Most Wonderful Time of the Year," "Silent Night," "Little Drummer Boy," and "Winter Wonderland" among many others, before you end up in the psychiatric ward no matter which Christmas song I hear.

Thankfully, there are several songs, that no matter how many times I hear them, I never grow tired of them. And what I have listed below are those songs. These songs are in no particular order of preference.

Celebrate Me Home
By Kenny Loggins

Written by Bob James and Kenny Loggins in 1976, 'Celebrate Me Home' radiates great warmth and a nostalgic feeling every time I hear it. It’s very much in the same vein of ‘I’ll Be Home for Christmas’, with the core message of the song hinging on memories of home “whenever I find myself too all alone, I can sing me home.” It’s conveys the perfect emotional tone of the arrival home and a loving family's embrace.

All I Want for Christmas Is You
By Mariah Carey

Written by Mariah Carey and Walter Afanasieff in 1994, ‘All I Want for Christmas Is You’ perfectly embodies the bubble gum pop of the 1960s while still staying fresh fifteen years later. It’s a great saccharin sweet love long that conveys the message that material gifts come in a distant second compared to spending Christmas with the one you love.

Christmastime
By Michael W. Smith

Written by Joanna Carlson and Michael W. Smith in 1998, 'Christmastime' sounds more like a modern day carol than a pop song. It encompasses the lyrical and melodic beauty of heaven and earth rejoicing the arrival of the Son of God. I could listen to this song a dozen times a day and never grow weary of hearing it. ‘Welcome to Our World’ and the instrumental ‘Hope of Israel’ are two additional Christmas gems, all located on the same album.

Tennessee Christmas
By Amy Grant

Amy Grant and her then husband Gary Chapman wrote this Christmas staple back in 1983. The album was a constant in our Christmas record rotation soon after its release, but only after moving to Tennessee and getting married here did it begin to hold a special place in my heart. Certain outdoor elements of Christmas may be appealing for some, but being surrounded by family and friends back home “is the only Christmas for me.”

Alfie the Christmas Tree/Carol for a Christmas Tree
By John Denver & the Muppets

John Denver & the Muppets released my all-time favorite Christmas album, ‘A Christmas Together’, back in 1979. It blended traditional carols, contemporary favorites, and new material with the crazy and joyful bliss that only Kermit and his pals could successfully deliver. Written by Lee Elwood Holdridge and John Denver, they bring to life a simple, yet charmingly sweet story of Alfie, a Christmas tree who doesn’t want to leave the forest until it realizes that there are children who still don't know the joys Christmas.

Wednesday, November 25, 2009

A Whole Lotta Thankfulness

Every year at around this time, I send out a fairly thoughtful and retrospective post that would reflect on the things that have occurred in my life over the past 12 months. This year won’t be any different. However, my goal is that the tone will be a little different; I plan to express my thankfulness for several events that have taken place over the course of 2009… that and the fact that I’m posting it about 30 days early.

The month of January brought my recent tumultuous employment career to a head. My current employer at that time was Circuit City. On November 3, 2008, Circuit City announced the closure of 155 stores and to lay off 17% of its workforce in attempts to regain their footing of their fledgling financial woes. Unfortunately, only seven days later, on November 10, they filed for bankruptcy. Now I don’t know about you, but that's like being told you’re going to have to have your toe amputated in order to stop the spread of gangrene, only to come in a week later for a check-up and your doctor cuts off your entire leg, and then tells you that the test results (which they had had the entire time) stated it had spread throughout the entire appendage. In hindsight, it was completely pointless.

Now I know I’m not the first individual to work through the entire holiday season wondering if I’ll have a job come January 1st. However, I think the hardest part was accepting the fact that our jobs would soon be gone, even though all of our managers kept trying to put on the positive spin that a buy-out was going to happen, saying ”we’ve been in business for far too long for us to just close the doors” or "remember that K-mart filed for bankruptcy and they're still around." With a lengthy background in retail, I should have seen the rats scurrying off of the sinking ship. So when they announced that Circuit City would be liquidating all of their assets and closing their doors in February, it really came as no big surprise to me.

I think the hardest part was trying to put forth the amount of effort to coming in day after day, with a smile on my face. As the days grew closer and closer to February 16th, the more difficult it was. Do you know how hard it is to swallow your pride and attempt to be as courteous as possible to customers who get pissed off at you, I might add, as to why the clearance prices aren’t cheaper than during Christmas? Eventually you let these emotions slide, and sometimes you blow up at the customer, but all you really want, is just five minutes alone with all of the goons up in corporate. Unfortunately, they’d been let go right after the announcement, so there were a few things to be thankful for those last two months.

For some amusing personal anecdotes related to the liquidation, please click here.

When something bad comes your way, like being passed over for promotion, getting laid-off or even fired, the most you can do is make the best of your situation. Only do you discover that as much as you are in control of your own life, you can always see the hand of God gently (or sometimes not so gently) guide you down a different path. My wife always says that when God closes one door, He often opens up a window. I’ve started believing that when God closes a window, He redirects your sights on the doggy door. How you get through it, however, is entirely up to you.

February… March… April… and then May came and went. I rediscovered that I am my own worst boss when that job is searching for employment while unemployed. As grateful as I am for unemployment benefits, all they do is reinforce an apathetic attitude towards finding a job. Hey, if I can’t find anything that’s going to pay more than what I’m pulling down weekly with the State of Tennessee, then why should I even try? Unemployment benefits are a blessing and a curse and I wouldn’t wish them upon my worst enemy. This is the biggest reason why I don't support goverment programs to the likes of Welfare and Food Stamps. A nation of entitlement creates a nation of apathy--and that's not good for anyone. Alright, I'll get off my soap box now.

Then the month of June arrived; and with it, sheer unadulterated panic and desperation. My unemployment benefits were quickly evaporating and if I hadn’t landed some kind of job, even part time, they’d be dry as a bone by mid-July. More and more applications and submissions of resumes went out and by the second week of June I had received three callbacks within 48 hours. (Ironically, 2 of the 3 had nothing to do with the added volume of applications I was sending out.)

One was for a very large retail establishment that wanted to pay me twenty-five cents over minimum wage (with my 12 years retail experience, mind you) slinging boxes and stocking shelves at three o’clock in the morning. The second was for a warehouse supervisor position that called me back almost two months after I had submitted my resume I the first place. The third was from a temp agency that had seen my resume online and wanted me to come in and take some tests for a customer service representative position for a logistics warehouse.

Now I was desperate mind you, and $7.50 an hour, as much as it was an insult to my ego, was better than nothing and that is exactly what was biting out there on my job search fishing line. I went down to the store, signed some documents and waited for my background check to come through. At the very same time, I was trying to acquire employment through the other two job opportunities, because both of them paid more than minimum wage. To make a (what could very well be a) long story short, I politely turned down the retail box-slingin’ job and landed the customer service spot via the temp agency instead. The warehouse supervisor position, even though it was a well-paying job, that required working overnights four days a week and in a freezer, turned out to be a dead end; and although I was brought back for an unexpected impromptu second interview (apparently being one of their four finalists), I wasn’t truly satisfied with how the interview went anyway.

So, after free falling for several months out of the unemployment airplane, I discovered that a parachute was attached to my person and then--YANK! I slowly and tenderly float back down to the earth’s surface. I sighed in relief and I began my first full work week, not realizing how agonizing it is to work until six o’clock in the evening for someone like myself. For close to a decade I’ve continuously worked early morning shifts. When 3:30 PM made itself known every day, I was almost always headed out to my car or already on my way home. I never realized, until now, how two and a half hours can literally drag on into eternity. I’m still not under the umbrella of permanent employment, and it's definately not my dream job, but I haven’t been without a weekly paycheck since June 19th and I’m pretty thankful for that.

At around the same time, I reconnected with a very good friend and that good friend brought with him a short film script that he had recently written. James and I, for the better part of a decade, had long desired to make a movie--or rather, a short film. As you know from previous posts of mine, filmmaking has been a dream of mine since I graduated high school. There was a short stint somewhere in there where I wanted to be an accountant, but that didn’t last very long.

James and I spent the next two months writing and re-writing his very thin 12 page script into a very dialogue-heavy 33 page script. By the end of the day, we were pretty happy with what the final product turned out to be. Now the question was: How in the world are we going to get the money to shoot this? Thankfully, James was the money guy. Not in the sense that he was funding this project, but he knew of individuals who would be able to put up the funds in order for us to shoot this project. Even better.

Thanks to the ever-resourceful Craigslist.org, and the all-consuming filtering process one goes through when trying to find cast and crew for a film shoot, the next two months were spent with cast and potentional crew interviews and auditions—all of this while we were still working our 9 to 5 jobs (or in my case, 9 to 6). When the dust had finally settled during our Pre-production phase, we had acquired a full cast and crew. And while everyone we brought aboard really liked the script and had a passion to make the film, most worked for either peanuts or a deli and fruit tray provided by the local grocery store during our three-day shoot. James and I are forever in their debt for the time and dedication they put forth in trying to make our film the best it could possibly be. I thank James Falcon and his ever-faithful friendship. Thanks for your faith in me, your determination, and your never-ending flow of ideas while giving me the power to veto 95% of them.

Only time will tell, as well as the resourcefulness of our other editor (Andrew Hobbs, you're a lifesaver; thank you for your dedication to this project), whether what we have will be of the likeness of film festival material. This will be a topic that will be address at an undisclosed future date next year. I'll keep you all posted on how our short film, PUNCHBUG, is progressing.

So, suffice it to say, 2009 has been quite the eventful year. It was a rollercoaster, full of life’s ups and downs, but in the end, I wouldn’t trade it for the world. And none of this would have been possible without the unwavering support of my amazing, wonderful and beautiful wife.

Lisa,

Thank you for always being there. I know things haven’t been the easiest this year for us financially or emotionally. We both held on to things a little too long before placing them on the table for open discussion. And I know it was hard for both of us to admit where our faults were and how we could overcome them. But I thank God everyday for putting you in my life and being the wind in my sails, but also my anchor to keep me from drifting out to sea. Thank you for believing in me and helping me accomplish my dreams. None of it would have been possible without you.

And that, dear readers, is how you end on a high note.

Happy Thanksgiving!

Tuesday, October 13, 2009

October 13, 2007

It was a beautiful partly cloudy day, with the temperature barely scooting past the 70 degree mark on the thermostat. I awoke several times throughout the night but finally dragged myself out of bed at half past eight, just barely missing the obnoxious alarm clock. I didn’t think I would have a problem waking up, but I wasn’t taking any chances today.

I hopped into the shower, just like my normal routine, except a few hours later in the day than normal. Usually I’m out in less than ten minutes (five if I’m running late) but today I take my time. I tinker with the new gadget that I’ve recently installed: a fog-free mirror that attaches to the shower head. I adjust the lever and water flows through the mirror, keeping it at the same temperature as the shower. Low and behold… no fogging!

I slowly emerge from the shower thirty minutes later, slightly pruned yet refreshed for the day ahead of me. After throwing on some shorts and a t-shirt, I walk into the guest room and grab a hold of Ryan's foot that's sticking out from under his blanket. Then, just like my dad did to me a thousands times, I gently shake it, pulling him out from his quiet slumber.

After a few minutes, Ryan jumps in the shower as I sit down in the living room and go over my “honey do” list that needs to be taken care of before heading out to the reception cite and then the church. As I looked over the list, I hoped that I would receive a text message in time from my soon-to-be wife, so we wouldn't need to go through with the U-haul rental for storage of the tables and chairs once the festivities were over for the evening. No such luck just yet.

As Ryan flopped onto the chair next to me, I expressed to him that I really didn't have much of an appetite but I knew I needed to eat something. I really didn't know where I was going to go for breakfast, but there wasn't much in the alternative compared to the heavy and greasy southern-fried restaurants. However, after a few moments, I came to the conclusion of Donut Country (a must for any donut connoisseur well past the newness and “not really that special“ Krispy Kreme). Nothing too heavy there, unless you considered eating your weight in glazed and jelly-filled donuts.

We were off to Donut Country shortly after my revelation, sinking our teeth into the best apple fritter this side of the Mississippi. Even the apple fritter had a hard time seducing me with its perfectly glazed crunchy exterior and soft and doughy apple-filled interior. I couldn't finish it. However, the upcoming events outweighed the delicious donut, so I tossed the remaining carcass in the garbage and headed out to run some errands.

As I stopped by the bank to make a withdrawal, I receive a text message that a U-haul truck will not be needed. I practically shout for joy, quickly headed to the rental office to cancel our reservation. Walking into the office, I see a line of at least a dozen people, all waiting to get their truck on a Saturday morning around nine thirty in the morning. I didn't have another hour to waste, so I opted for the less painful route: calling them from home to cancel the reservation.

Ryan and I took our time relaxing around the house until it was time adorn our penguin suits and head up to the church. We picked up the two cakes and ever-so-gently placed them in the back the SUV we borrowed from Lisa's uncle and darted off to our last detour -- Cedars of Lebanon National Park. Trying to avoiding visual contact from of my bride-to-be, we passed each other on the road and dropped off the cakes and a dozen cases of bottled water. As I drove off, I couldn't wait to go back there, knowing that all the pressure would soon melt away coming back to where our reception was being held.

Time started to quickly blur past me soon after I arrived at the church. Ryan and I paced every square inch of the establishment before being summoned to the sactuary for pictures. After several family photos, I waited patiently as Lisa entered into my sights. She was the most stunning and beautiful woman I had ever known and she was now walking down the aisle towards me. It was hard to hold back the tears. Pictures were snapped, and we were rushed out of the sactuary in order to start ushering in our guests waiting outside.

Once the butterflies had passed, I suddenly had gained the will to eat again and found myself down in the church kitchen, with my bride, cramming a couple of ham sandwiches into my face. Thankfully, no mustard was spilled and I was eventually escorted to a hallway behind the sactuary; waiting to be given the signal to enter. I waited patiently, for what seemed like an eternity. I was told several stories by our minister as we waited; one involving a very nervous groom who at the very last moment, proceded to decorate Fred's dress robs with his recently consumed lunch. I nervously swallowed and then entered the sactuary.

Now as far as I can recall, and as well as you can read, I had no problem remembering everything that lead up to the cerimony. In fact, I remember most of what happened afterwards. The problem I have, and I know I'm not the only one, is that I can't really remember the cerimony. There are FLASHES, but that's it. FLASH: Lisa walking down the aisle. FLASH: We light our candle. FLASH: I place the ring on her finger. FLASH: We kiss. FLASH: "I would like to present to you for the first time, Mr. and Mrs. Nathan and Lisa Eddy."

I remember wanting to get to the reception more than anything in the world. However, before we could get there, I had to make a Coke run for my wife at a gas station en route. And there are pictures to prove it, when half of people attending your wedding are following like a caravan right behind you.

The rest of the evening was a little less of a blur as we went from table-to-table-to-table chatting and catching up. I could almost recall what the food had tasted like, if I hadn't eaten it so quickly. I hadn't been that hungry in the first place, so it wasn't that much of a loss. Once we got to the toasts, I was ready to crash. Giving a best man speech isn't easy. Trust me, I know from personal experience. Ryan succeeded in many ways... and then he told everyone there that we had met on eHarmony - in which I responded sarcastically with, "we're shooting the commerical next week!"

After Ryan came Tanya, who proceeded to give her speech over the course of the next ten minutes. Our photographer, who will be remain nameless, and who couldn't seem to take much of anything of value, snapped away while she babbled on and on. Ryan refilled his drink at least twice during her speech, parched from being so nervous only moments before.

The evening winded down as my friends floated the keg. I held Lisa close as we danced to our song, probably putting my hands in inappropriate places -- but I didn't care. The remainder of the night was spent on the dance floor dancing in groups to songs we all loved. We laughed, we cheered and we cut-up with each other until it was time to go.

As we said our goodbyes, hugs and kisses were given around the room. As I watched our family and friends break down the tables and chairs, we strolled out to the car. I'm not sure how many people actually witnessed us leaving. It didn't matter. All we wanted to do was get to the hotel room and crash.

After ordering room service, which arrived to our room cold, all we really wanted to do was sleep. We had a long day ahead of us: cleaning laundry and packing and two sit-down meals with both sides of the family. I laid my head down on the pill and thought: "I'm going to wake up happy and to the most beautiful woman for the rest of my life and can't imagine anything better."

Sunday, July 12, 2009

Top 20 Soundtrack Moments

You know when you're listening to the radio, or watching television and a song starts to play and that song instantly makes you think of a specific movie?

Well, I've created a list of my Top 20 most memorable soundtrack moments. This list is dedicated to the songs, that when heard, instantly pop an image into my brain of a specific movie. Additionally, my only intention was to mention songs that had already been recorded, before they were placed in the movie (and on the accompanying Original Motion Picture Soundtrack). Outside of number 20, I believe I achieved that goal.

--#20--
THE SONG: "King of Wishful Thinking"
THE FILM: Pretty Woman (1990)
THE ARTIST: Go West
Directed by Gary Marshall

SCENE DESCRIPTION: Opening Credits - Edward (Richard Gere) gets lost driving his friend's Lotus Esprit through Hollywood and runs into Vivian (Julia Roberts), a prostitute. (I know, I know... you're thinking "this doesn't fit his profile about being a film snob", but honestly, I really like this movie.)

Click here to hear the song... and watch the horribly dated music video.

--#19--
THE SONG: "It's Your Thing"
THE FILM: Out of Sight (1998)
THE ARTIST: The Isley Brothers
Directed by Steven Soderbergh

SCENE DESCRIPTION: Opening/Closing Credits - The song bookends the film, perfectly reflecting the spirit and attitude of the main protagonist, Jack Foley (George Clooney).

Click here to hear the song.

--#18--
THE SONG: "Uptight (Everything's Alright)"
THE FILM: Mr. Holland's Opus (1995)
THE ARTIST: Stevie Wonder
Directed by Stephen Herek

SCENE DESCRIPTION: Glen Holland (Richard Dreyfuss) attempts to teach one of his students (then unknown Terrance Howard) how to keep rhythm.

Click here to hear the song.

--#17--
THE SONG: "This Must Be The Place (Naive Melody)"
THE FILM: Wall Street (1987)
THE ARTIST: Talking Heads
Directed by Oliver Stone

SCENE DESCRIPTION: End Credits (It's such and odd little number, but for some reason the song just stuck with me after all of these years.)

Click here to hear the song... and watch the Talking Heads live in concert.

--#16--
THE SONG: "Lust For Life"
THE FILM: Trainspotting (1996)
THE ARTIST: Iggy Pop
Directed by Danny Boyle

SCENE DESCRIPTION: Opening Scene - Renton (Ewan McGregor) and Spud being chased down the street by the police. (A brilliant introduction of the four main characters.)

Click here to see the opening scene.

--#15--
THE SONG: "Sister Christian"
THE FILM: Boogie Nights (1997)
THE ARTIST: Night Ranger
Directed by Paul Thomas Anderson

SCENE DESCRIPTION: Dirk Diggler (Mark Walberg) sits with his buddies through a very nerve-racking drug deal, while Rahad (Alfred Molina) talks about how he makes his own mixed tapes and a young Asian male randomly sets off firecrackers. (It's one of the most silly-yet-tense scenes I've ever witnessed on film.)

Click here to hear the song... and watch the horribly dated music video.

--#14--
THE SONG: "Your Nobody Till Somebody Loves You"
THE FILM: Swingers (1996)
THE ARTIST: Dean Martin
Directed by Doug Liman

SCENE DESCRIPTION: Opening Credits - Montage of still photographs of people enjoying the nightlife in Los Angeles. (This was the only song that I couldn't find on youtube.com as the right version played in the film.)

--#13--
THE SONG: "Where Is My Mind?"
THE FILM: Fight Club (1999)
THE ARTIST: The Pixies
Directed by David Fincher

SCENE DESCRIPTION: Final Scene/Ending Credits - As Tyler Durden expresses to Marla that she's met him during a "very strange time in my life," buildings off in the distance detonate one-by-one.

Click here to hear the song.

--#12--
THE SONG: "Fortunate Son"
THE FILM: Forrest Gump (1994)
THE ARTIST: Creedence Clearwater Revival
Directed by Robert Zemeckis

SCENE DESCRIPTION: Forrest Gump (Tom Hanks) and Bubba are dropped somewhere in the middle of South Vietnam by a UH-1 Huey helicopter. (The 32 song double-disc soundtrack is just fantastic.)

Click here to hear the song... and watch some disturbing videos of H-bomb detonations.

--#11--
THE SONG: "Blinded By The Light"
THE FILM: Blow (2001)
THE ARTIST: Manfred Mann's Earth Band
Directed by Ted Demme

SCENE DESCRIPTION: After sealing the deal with Pablo Escobar, a photo slideshow flashes across the screen of George Jung (Johnny Depp) and the thousands upon thousands of drug deals that take place afterwards. (I honestly can't go more than a week to ten days before I end up hearing this on the radio.)

Click here to view the scene.

--#10--
THE SONG: "Six Blade Knife"
THE FILM: Desperado (1995)
THE ARTIST: Dire Straits
Directed by Robert Rodriguez

SCENE DESCRIPTION: Opening Scene - Steve Buscemi enters a bar, drinks "piss warm" beer and proceeds to tell the the bartender, along with all the patrons about the mysterious Mariachi. (This mostly unknown Dire Straits song sets the mood perfectly for this scene.)

Click here to view the scene. -NSFW

--#9--
THE SONG: "In Your Eyes"
THE FILM: Say Anything... (1989)
THE ARTIST: Peter Gabriel
Directed by Cameron Crowe

SCENE DESCRIPTION: "In Your Eyes" plays on the radio after Lloyd (John Cusack) and Diane have sex in the back of his car; Lloyd plays this song again, standing outside of Diane's house, holding a boom box over his head, trying to change her mind about their relationship.

Click here to hear the song... and watch the vintage "80s" video.

--#8--
THE SONG: "I'm Shipping Up To Boston"
THE FILM: The Departed (2006)
THE ARTIST: Dropkick Murphys
Directed by Martin Scorsese

SCENE DESCRIPTION: This song over-powers your senses as we watch Billy Costigan (Leonardo DiCaprio) transform into an undercover Massachusetts State Police Officer while in a state prison. (After I heard this song I had to go out and buy the Dropkick Murphys CD that had this song... and I then proceded to play it about a dozen times on my way home from work.)

Click here to hear the song.

--#7--
THE SONG: "Oh Yeah"
THE FILM: Ferris Bueller's Day Off (1986)
THE ARTIST: Yello
Directed by John Hughes

SCENE DESCRIPTION: End Credits - Principal Rooney gets a ride back to his office on a crowded school bus, after his unsuccessful attempt at catching Ferris Beuller all day. (Honestly, who doesn't think of this film when they hear this song?)

Click here to hear the song... and see the rather twisted music video.

--#6--
THE SONG: "Tiny Dancer"
THE FILM: Almost Famous (2000)
THE ARTIST: Elton John
Directed by Cameron Crowe

SCENE DESCRIPTION: After a tumultuous night, band members from Stillwater, along with their traveling companions, sing along to Elton John's "Tiny Dancer" while riding on the bus en route to their next destination.

Click here to watch the scene.

--#5--
THE SONG: "Bohemian Rhapsody"
THE FILM: Wayne's World (1992)
THE ARTIST: Queen
Directed by Penelope Spheeris

SCENE DESCRIPTION: Wayne (Mike Meyers) and Garth (Dana Carvey) head-bang to this Queen tune while driving with some of their buddies in the back seat of Garth's AMC Pacer. (One of my favorite rock songs of all time.)

Click here to view the scene.

--#4--
THE SONG: "Jungle Boogie"
THE FILM: Pulp Fiction (1994)
THE ARTIST: Kool & the Gang

SCENE DESCRIPTION: Opening Credits which lead into the second scene - "Jungle Boogie" oozes from the car radio as Vincent (John Travolta) discuss with Jules (Samuel L. Jackson)legalities the of marijuana in Amsterdam, frequenting a McDonald's while there, and the metric system. (This was a hard choice to make, since every song on this soundtrack makes me think of this film.)

Click here to hear the song... and watch Kool & the Gang's performance on Soul Train.

--#3--
THE SONG: "Just Dropped In (To See What Condition My Condition Was In)"
THE FILM: The Big Lebowski (1998)
THE ARTIST: Kenny Rogers & the First Edition
Directed by Joel Coen

SCENE DESCRIPTION: The Dude (Jeff Bridges), after being drugged, succumbs to quite an elaborate dream sequence, where he's starring in his own porno entitled "Gutterballs." (The perfect blend of 1920s spectacle, neo-noir and bowling.)

Click here to view the scene.

--#2--
THE SONG: "Stuck In the Middle With You"
THE FILM: Reservoir Dogs (1992)
THE ARTIST: Stealers Wheel
Directed by Quentin Tarantino

SCENE DESCRIPTION: The sadistic Mr. Blonde (Michael Madsen) tortures a captured police officer while dancing a little jig. He then proceeds to cuts off his ear with a straight razor. (This scene haunted me for quite some time. Now I really enjoy the brilliance of Tarantino's direction.)

Click here to view the scene. -NSFW

--#1--
THE SONG: "Layla"
THE FILM: Goodfellas (1990)
THE ARTIST: Derek and the Dominos
Directed by Martin Scorsese

SCENE DESCRIPTION: The bodies start to pile up when Jimmy (Robert De Niro) doesn't want to share any the money from the Lufthansa robbery with gangsters who help him do the job. (You almost forget that there's two parts to Clapton's masterpiece; it's almost as if they're two completely different songs.)

Click here to view the scene (approx. 2:40 in). -NSFW

Please feel free to reply and post your favorites as well... or if you think that I might have forgotten one.

Thursday, July 2, 2009

MJV - A Life in Videos

Since Michael's passing, I've come across several sites that are listing his best music videos. For those reading this that grew up watching MTV when they actually played music videos for more than 45 minutes a day, then you'll understand the importance of them and how they revolutionized the music industry.

With that being said, Michael Jackson's videos were about 12 levels above almost anyone elses, since a majority of them were mini-movies, or better stated, short films. MTV wasn't really tolerated in my house (and for a very good reason). But that didn't mean I wouldn't watch it when my parents weren't around.

Whenever Michael Jackson premiered a new music video, the broadcast always became a major event. In the 1980s, the world stopped what they were doing, gathered around the television, and waited to see what wonderful sights and sounds Michael was going to present to them.

So, in honor of the "King of Pop" passing, I'm going to share with you my favorite Michael Jackson music videos.

One additional note before I proceed: I have only selected a few to show you. The reasoning behind this is that as much as I am a fan of his early material, some of his videos, as spectacular as they may be, felt too corny upon revisiting them.

Smooth Criminal was Michael Jackson's seventh single release from his album Bad (1987). It was watching this video that I realized how brilliant a physical performer Michael Jackson could be. Everyone was amazed when they first saw him "moonwalk" on stage for the first time, but this video transended his physical abilities way beyond what I could comprehend. This was, however, where I first started to notice the the downward slide in quality performances by Michael (screaming while firing a tommy gun, for example), as well as any other big celebrity name they got to star along side him.



Bad was Michael Jackson's first single release from his 1987 album of the same name. An 18 minute short film written by Richard Price (Clockers) and directed by Martin Scorsese (Goodfellas) that stars Michael portraying a androgynous-looking (which was kind of a new image for him, and something that he unfortunately never got away from after this video) high school-aged kid returning home to the projects after completing a semester at a private school. He comes to discover that his old "gang" of friends have turned to a life of crime. Almost every Michael Jackson video features an entire section dedicated to his dance choreography, and this one isn't any different. It's too bad Scorsese wasn't as good with the whole music part of the music video, since it's really difficult to see Michael Jackson as anything but bad.






Billie Jean was the second single released off of Jackson's 1982 Thriller album. Considered by many as the video that brought MTV, an unknown music channel, into mainstream attention. It was also the first video by a black artist to be aired by the channel, as they felt that most "black music" wasn't "rock" enough. It's probably one of Jackson's shortest music videos, where he didn't get the taste of lengthy musical celluloid until the release of his single, Thriller, at the end of 1983. What fascinated me most about this video was how they illuminated almost everything that came into contact with Michael, especially the concrete beneath his feet. Simple by today's standards, but still rather effective.



Thriller was the sixth single release off of Jackson's 1982 album release of the same name. A true masterpeice in it's own right and considered by many as the greatest music video ever made. Directed by John Landis, Thriller follows Michael and his date, Ola Ray, at the movie theater. His date isn't thrilled at all with the horror movie their watching, so she storms out. As Michael chases her down, and begins to tease her with the opening verses of the song. I don't really remember catching the "World Premiere" of this video, but I sure do remember seeing it dozens upon dozens of times as it played on MTV endlessly, eventually being reduced to under a running time of 5 minutes.




In closing, I've selected the words of one of my close personal friends who said it best:

"Michael Jackson, no matter your feelings on the mans private life and legal troubles, was an amazing man. His music, charity and presence touched millions and millions of people all over the world. He adored children, which in case caused some of the trouble he ran into. He felt the pain and did millions of things to end suffering and starvation of people and children all over this world. From his appearance and the first time he did the moonwalk on stage to his last appearance and plans for a new tour, the man defined the Motown experience and defined pop music."

Wednesday, May 27, 2009

Flea Market Photo Safari

My apologies for not staying updated on my current review series. I've recently tripped over a rather large writer's block that had been sitting right in the middle of the living room, so I'm tending to my wounds as we speak.

My wife coined the phrase of this blog title when she shared some of the same pictures on her FaceBook page. Lisa, Christina (my sister for those of you who are not aware) and I went to the Nashville Flea Market that takes place once a month at the Tennessee State Fair Grounds.

We brought our camera along with twenty bucks to see exactly what we could find. Outside of obtaining a cheap, "Made in China" camo bucket hat, a DVD that I had been searching years for, and some tube socks, the three-hour-trek produced several pictures that I wish to share with you.


Today's flea market is brought to you by the letter "A." (Photo by Lisa)

(Photo by The Dude)

(Photo by The Dude)

(Photo by The Dude)

(Photo by Lisa)

(Photo by The Dude)

(Photo by Lisa)

(Photo by The Dude)

(Photo by Lisa)

(Photo by Lisa)

(Photo by The Dude)

My original intentions were to comment on each photograph, but then decided to let them speak for themselves. Hope you all enjoyed them as much as we did taking them.

Sunday, May 3, 2009

The 'Burbs

Part Two of Lost & Forgotten Film Treasures of the 1980s.

The 'Burbs (1989)
Directed by Joe Dante
Written by Dana Olsen
Running time: 101 minutes



“Our neighbors are murdering people. They're chopping them up. They're burying them in their backyard.”


The ‘Burbs is a delightfully dark comedy about the normality of life in middle-America suburbia. I was introduced to this film, more than likely, during one of its many broadcasts on cable television after its theatrical release. Ever since then, it’s become a staple in my movie collection and is pulled out quite often when I feel the need for a good laugh.

Ray Peterson (Tom Hanks) is your average everyday guy who has become a little concerned with his new neighbors, the Klopeks. Their house and yard are in shambles; they dig in their backyard in the middle of the night, and keep their neighbors up with the weird noises emanating from their basement. As Ray so simply states his observation one night, “I've never seen anybody drive their garbage down to the street and bang the hell out of it with a stick. I-I've never seen that.”

Now without the support from some of his other neighbors, Ray Peterson probably would have just let sleeping dogs lie. Unfortunately, living in the neighborhood are Art (Rick Ducommun), Ray’s gluttonous slacker next door neighbor, who is way too nosey and has too much time on his hands, and Rumsfield (Bruce Dern), an ex-military nut living across the street, who is just as concerned about the Klopeks as he is about a neighborhood dog crapping on his lawn. The more suspicious the events that take place on their cul-de-sac, the more these three are intent on snooping and spying on the Klopeks.

As expected, things take a turn for the worse. Walter, the elderly gentleman with the best kept lawn on the block and the owner of the lawn-pooping bandit, Queenie, has suddenly gone missing. The events following Walter’s disappearance will keep you laughing, as well as guessing, till the very end.

The ‘Burbs has always been one of my favorite Tom Hanks films, comedic or not. Hanks portrays the reigning everyman, who is pushed to his limits by his neighbors (especially Art) and his wife, Carol, portrayed by the adorable Carrie Fisher (of Star Wars fame). Rather than being simply a meddling prick like Art, Ray is truly concerned about the disappearance of his neighbor, Walter. His sincerity makes his performance so amusing yet so honest.

What I love is how relatable this film is to my life, to anyone who has lived in a neighborhood. We all know the weirdo who never mows his lawn, the family you never ever see coming or going, the angry “Get the hell off my lawn” old man. My cousin and I could have easily been misperceived by our neighbors with the last home I owned. They rarely, if ever, spoke to us and probably thought we were the “gay couple” living next door with the overgrown lawn. They were wrong, but I can imagine what conversations they had at the dinner table because we were probably having similar ones about them. It’s these kinds of normal neighborhood misinterpretations that bring this movie home, the main cause for the hilarious ride Joe Dante takes us on.

Joe Dante, whose other previous films include the horror-comedy Gremlins, and the quirky sci-fi comedy, InnerSpace (which I will cover soon), expertly executes the fine line between paranoia and paranormal. While the script is expertly riddled with bitingly hilarious dialogue, I believe the genius of the plot is that it never leaves their street, Mayfield Place. Where some directors might shy away from this possible hindrance, Dante takes advantage of it by not allowing his characters to leave the neighborhood.

Jerry Goldsmith provides the brilliantly overlooked score, where he takes advantage of every musical cue he can by parodying his other works (listen for remnants of Patton whenever Rumsfield dominates a scene) along with other great composers like Ennio Marricone and his score from Once Upon A Time In The West (when Ray and Art dare each other to go “say hi” to the Klopeks near the beginning of the picture). Goldsmith purposefully uses over the top musical clichés, so much so it almost becomes a character unto itself. I adore the heavy handed pipe organ reminiscent of old silent films when showing the Klopek's decrepit house or the sacharine sweet happy-perfect-neighborhood-all-is-well music he uses in contrast to show the purity and innocence of the cul-de-sac.

More than anything, I like this movie so much because Ray, Art and Rumsfield are like three neighborhood children, whose antics are not far from how I played with my friends when I was a kid. They’re supposed to be adults, but their behaviors are much more consistent with that of eleven-year-old boys who can’t disconnect from playing make-believe long enough to sit down and have dinner with their family. So much so, that Ray acts like a child who mentally shutdowns after a horrible nightmare, while Art and Rumsfield fail to persuade Carol to let him “come out and play.” The scene plays out like a mother and her grounded child rather than that of a husband and wife, and boy do I remember the numerous times when I was kept at bay, unable to go out and conquer the world.

The ‘Burbs is a great picture that honestly makes fun of the normalcy that comes with settling down and making a life for yourself in the suburbs. It also makes you reassess your living conditions and that anyone, if not everyone, can be suspect. After watching this film, you’ll probably never look at your neighbors the same way again.

Sunday, April 26, 2009

Bill & Ted's Excellent Adventure

I’ve decided to do a multi-part series reviewing and reintroducing to you, my dear readers, some of the best lost or forgotten film treasures of the 1980s. This task was quite difficult for me to put together, since there were a couple of films I had to promptly remove from my list, once I finally sat down re-watched them (Explorers specifically comes to mind recently). Most of these movies I watched growing up as a child or young teenager. Only one film listed in this series was introduced to me at a much later time.

Some of the films I have chosen may be near and dear to your heart, like they are to me. Maybe some of these pictures you’ve heard of, but hadn’t thought about them in years. Others, however, you might feel to be either too cheesy or just plain crap; or as I like to call them, cinematic turds. I’ve especially tried to stay away from as many big blockbusters as I can, since Steven Spielberg has had his fingerprints on at least fifteen financially successful and quite popular films throughout that decade alone. (The final tally shows that I’ve only picked two films where Spielberg was the Executive Producer.) Be that as it may, I chose to pick specific movies from my past that have had some sort of impact on my upbringing, and I continued to re-watch them since their initial introduction into my life.

Each week I plan to provide at least one review, listed alphabetically by title as opposed to chronologically or in any order of emotional importance or significance. So without further ado, here's

Part One of Lost & Forgotten Film Treasures of the 1980s.

Bill & Ted's Excellent Adventure (1989)
Directed by Stephen Herek
Written by Chris Matheson & Ed Solomon
Running Time: 90 minutes



“Strange things are afoot at the Circle-K.”

The first time I remembered seeing this movie, it was at the drive-in. Drive-Ins were still rather popular in 1989 and the whole event seemed much cheaper than dragging your entire family to the movie theater. Food could be snuck in, you didn’t have to worry about people talking behind you, and if the second film of the double-feature stunk, you could drive off and still get to bed on time.

For those not familiar with the plotline, I’ll give you a quick rundown: Bill S. Preston, Esq. (Alex Winter) and Ted “Theodore” Logan (Keanu Reeves) are two dimwitted high school students who are on the verge of flunking their senior year at San Dimas High School. They only have one saving grace in hopes to graduate: ace their high school history class presentation. While on a study break at the Circle-K, Bill and Ted are visited by Rufus (George Carlin), a man who claims to be from the future. Rufus has been given the assignment to assist the two high school losers by letting them use a “time traveling telephone booth” to help them put together their history presentation. According to Rufus, Bill and Ted are considered “the great ones” seven hundred years into the future, whose music has aligned the planets and brought world peace. However, if they don’t graduate, Ted will be shipped off to Alaska Military Academy and they’ll never be able to form their band “Wyld Stallyns” or create their music.

What I really enjoy about this film is that even though there are some rather cheesy moments, including Bill and Ted playing “air guitar” throughout the picture, it’s quite the ingenious script. It starred a large cast of mostly nobodies, with a few cameos like Jane Wiedlin (from The Go-Go’s) as Joan of Arc and Clarence Clemons (from Bruce Springsteen and the E Street Band) as one of “The Three Most Important People in the World.” Alex Winter had received the most noticeable screen fame at that time for portraying a vampire in The Lost Boys back in 1987, but this movie was really Keanu Reeves’ launching pad and typecast him forever as an airhead, which isn’t completely inaccurate. Reeves had been in a hand full of other films before Bill & Ted, but it wasn’t until this film and the release of Parenthood later that year, which firmly placed him on the map.

The biggest reason why Bill & Ted made this list was that it was a funny and creative, yet semi-educational movie, which my parents approved of because its subject matter was generally clean. There aren’t many PG films released nowadays, and those that are, usually don’t do very well at the box office. Most of the adult-natured jokes that were made (“Sixty-nine, dudes!”) went right over my thirteen-year-old head and didn’t sink in until after I was halfway through high school. It brought historical figures that I read about to life and put them into situations that seemed, at that time, relatively implausible. Who wouldn’t enjoy tossing a nerf football with Billy the Kid or Socrates? Just imagine the conversations you could have, especially if you spoke ancient Greek.

My family drove through San Dimas every time we were en route to my grandparent’s house, so after the film’s release, it became relatable to me on a more personal level. "Waterloo," the water park featured in the movie was actually Raging Waters, the largest water park in California. Only later would I discover that 95% of the movie was actually filmed on location in and around Phoenix, Arizona.

As much as Bill & Ted was a success, it also had the unfortunate repercussions of generically labeling a specific stereotype related to living in southern California. Just like the stereotypical Southern redneck or New York city slicker, the American general public presumed that most, if not all teenagers who lived in southern California, talked, dressed, and acted like a stoned loser who used the words “bogus” and “dude” in their vocabulary on a regular basis.

Bill & Ted’s Excellent Adventure sat on the shelves for almost two years before it was released when the film’s original distributor went bankrupt (it was later purchased by Orion, which ironically went bankrupt ten years later). The film was released in February of 1989 and was quite the commercial success, generating over $40 million in ticket sales on a budget of $10 million. The film’s success went on to produce the less-than-stellar sequel, Bill & Ted’s Bogus Journey, as well as a Saturday morning cartoon series that ran for 21 episodes back in 1990-91 and actually featured the voices of Keanu Reeves, Alex Winter and George Carlin.

For those who are interested in visiting or re-visiting a bit of nostalgia from the late 1980s, I highly recommend Bill & Ted’s Excellent Adventure. The movie is pure escapism that combines quirky situational humor with the science fiction of time travel. You’ll find yourself laughing quite a bit during the entire movie, whether in response to the off played, yet sometimes brilliant dialogue, or at the fashion and fads of a movie that’s now twenty years old. (When was the last time you seriously saw a telephone booth, let alone a functioning one?)